Barbara Philip - African Painting

The completion of Amy’s Book

Barbara — Mon, 06 Feb 2012 13:11:19 +0000

Those of you who have followed my Blog from the beginning may remember the 20th January 2009 post entitled, “All the way my Saviour Leads Me” ; well that post referred to one of the pages from this project that has now come to an end. In 1992, after being named as Amy’s Godmother, I decided to send her a poem every year on her birthday, starting at age one. I tried to choose poetry that was either fun or inspirational, and ultimately to support her growing faith. I wrote all of them with my normal italic nibbed fountain pen. Sometimes they included illustrations and all were done on watercolour paper that measured 320 x 210 mm in size. Three of the poems were too long for one page, so they were continued on the reverse. Here below are most of them, all except the last 2 which were more personal in nature. The last one was mailed to her for her 20th birthday, and this year she turned 21. For this special occasion, the pages were all returned to me for them to be bound into a book. I made the cover this weekend and will be posting it off to her soon. It is not a professionally bound book, and has many of the hallmarks of a very home-made effort; however there is a whole lot of love bound in to its imperfect simplicity.

Amy's Book, cover

Pages 1 – 4

Pages 5 – 8

Pages 9 – 12

Pages 13 – 16.

Pages 17 – 20.

I quite realize that these pages are hard to read with the reduced size and dpi, necessary for posting on this page. If, however anyone would like a better copy of a particular page, please send me an email and specify which one you would like. I will gladly forward it to you. Send your request to : silvermere@gmail.com

Eland Antelope Study.

Barbara — Wed, 01 Feb 2012 13:45:01 +0000

I don’t often paint eland, so with a recent order I felt the need to do some drawings before the final painting. It was quite an enjoyable exercise.

Pencil drawing of an Eland's head. 290 x 210 mm.

Eland sketch. Pen & Pencil crayons. 290 x 210 mm.

Four Eland. Pen & wash sketch. 360mm x 280 mm.

Kruger's Kop with 3 Eland. Watercolour. 520 x 350 mm.

ATC’s. – Artist Trading Cards.

Barbara — Mon, 16 Jan 2012 07:04:26 +0000

Now for some light relief from the stresses of the Challenge. I little drawing and painting for Sunday relaxation. I have been fascinated by a trend I discovered on the internet, swapping ATC’s. They are diminutive creations that swappers exchange with others all over the world. So I decided to make some cards that have to be 3.5 x 2.5 inches precisely. I made a template and then cut up an old watercolour painting from years ago and started creating. It was great fun !! Here are the 12 that I squeezed out of the cards cut from that one painting. I don’t think that mine compare favourably with the elaborate embellished works of art that the true ATC swappers produce, but then these are a first attempt.

Artist Trading Cards

The Christmas 2011 Painting-a-Day Challenge.

Barbara — Fri, 13 Jan 2012 17:23:33 +0000

When John came home for the Christmas holiday on the 21st December, we decided to try and do one plein-air painting each day during the holidays. It was sometimes difficult to find the time with all the busy organization around Christmas but we managed to achieve it pretty successfully. I think there was one day, that was just too busy, for me to go out with John, so he did 2 sessions on that day, alone. It was a really enjoyable experience! I will add the paintings in the order of the days of the challenge, and please note that my paintings are on the left, while John’s are on the right: -

Day 1. 22 Dec. The Garden Artichoke in flower.

Artichoke in flower.

Day 2. 23 Dec. These are both John’s paintings. Pen and ink and watercolour.

John's ink and watercolour drawings of a poplar tree, and an agave.

Day 3. 24 Dec. A scene facing north, from the road outside my studio. A nice shady spot to sit.

Day 3. View north to the ploughed land in front of the house.

Day 4. 25 Dec. Christmas Day. A very windy day made this a challenging task. The old pepper tree leaning against the pig-stys.

Day 4. Windy Christmas day. The old pepper tree.

Day 5. 26 Dec. Boxing Day. We took the truck to a spot at the entrance to our farm. It was also windy there, but such a beautiful view down the valley towards Spitskop and the distant Freestate hills.

Day 5. View down the valley to Spitskop.

Day 6. 27 Dec. Went to Excelsior, a distant part of the farm, for a lunch braai (barbeque). We painted from the same place but chose different scenes.

Day 6. Excelsior braai, two different tree studies.

Day 7. 28 Dec. Painting in the big shed. The old wool scale etc. A nice change from the endless green vistas.

Day 7. The old wool scale in the shed.

Day 8. 29 Dec. Took the truck again, up to the little dam where reeds grow and the bird-life is fantastic. We were serenaded by a variety of water fowl and nesting weavers. We even had a Leguaan pass by. We managed to find a small spot on the dam wall, in the shade of a white stinkwood tree.

Day 8. The little dam with reeds and birds.

Day 9. 30 Dec. Painted in the farmyard near the shed. We were well attended by many curious sheep, who investigated all our painting equipment, and sought shade under my painting table.

Day 9. Farmyard near the big shed.

Day 10. 31 Dec. Took the truck up to the fountain. A small lush area where a spring occurs naturally and there are many trees, long grass and reeds. It was a beautiful quiet spot. We both planned to paint the dead tree in front of us, as a contrast to the background. John worked on the dead tree and ran out of time, so he gave an impressionist view of the background. I started on the background and the detail took up all my time leaving me no time for the dead tree !

Day 10. The lush fountain view.

Day 11. New Year’s Day. 2012. In the shade of 2 ample gum trees, we sat, to draw the scene facing east. However we chose a slightly different aspect so the only element that we have in common, was the orangey soil of the potato land in the foreground.

Day 11. The Potato land and beyond.

Day 12. 2 January. Painting in the shady north doorway of the big shed, facing north. John started on the sheep lying just infront of us, which soon moved away, so his first attempt remained a simple tinted drawing. I avoided the sheep and concentrated on the scene beyond. John then turned slightly and did a nice pen, ink and wash view of the garage and store room. No oils on that day.

Day 12. Veiw north-from-shed's doorway.

Day 13. 3 January. Our last official day of painting. We went to a spot in the shade of the pig-stys, and painted the Agave aloes on the end of the dam wall. The curious sheep came visiting once again.

Day 13. Agaves on the Dam wall.

Most of John’s paintings were done in oils whereas mine were all watercolour. You may like to go across and visit John’s Blog for more of his beautiful work, and his own interpretation of the challenge. He managed to fit in 3 extra pictures when I was busy with cooking and other chores, here are they are:

John's extra paintings.

Here are a few photos taken during the daily outings:

Day 8.Our little patch of shade.

Day 7. John working on one of his extra paintings.

Day 6. the Braai site with husband, John doing the cooking.

Day 9. One curious sheep !

Day 10. Our beautiful lush spot at the fountain.

The Big Mondplaas Nguni Oil, – Revisited

Barbara — Sun, 20 Nov 2011 09:22:33 +0000

Mondplaas Ngunis. 1502 x 953 mm.

An order came in recently for another version of the big Nguni oil that sold at Walmer Park in 2009. So I made a small change and embarked on it once again with some trepidation, as there was a deadline for the 28th November. That gave me a mere 2 weeks to complete it, and make sure it would be dry for packaging and sending off to the framers in Pretoria.

Fortunately John had made me a couple of big canvases some time ago, and one was big enough for the requirements.

I did have some clear time fortunately, and was able to get it done by Friday 18 th November . Which means it has an ample 3 days to dry before packaging & sending off; and in our hot and dry karoo weather, that is quite enough time.

Here below are some of the early stages, if anyone is interested.

The process was accompanied by the superb sermons of R.C.Sproul on the Gospel of John,
that I had downloaded for the occasion. It is a truly inspiring series !

Mondplaas Ngunis revisited. Oil on Canvas. 953 x 1520 mm.

Mondplaas Ngunis re-visited

Barbara — Sat, 19 Nov 2011 14:25:59 +0000

Mondplaas Ngunis revisited. Oil on Canvas. 953 x 1520 mm.

Burgersdorp’s Spring Somerfees.

Barbara — Sun, 16 Oct 2011 14:10:23 +0000

We have just spent 2 days (14 & 15 October) at the Burgersdorp Somerfees. It was the culmination of weeks of painting, framing, card making and endless packing & preparation. John had framed 24 new pictures, and big folders of unframed paintings featured more prominently at this exhibition that ever before.

Our stall, Burgersdorp Somerfees.2011

We arrived early on Friday morning, at 6.30 am and spent most of the morning erecting the stands and planning where to hang all the paintings. But the wind was a constant nuisance and by the end of Friday we thought it had all been a big mistake! Our first day was nothing short of disastrous and the very strong north-westerly wind blew all the cards and anything that was not tied down. We were also told that our north-facing tent structure had blown over on Thursday night! So we requested some extra ropes and tent pegs to try and secure it more firmly but with every gust of wind the whole roof ballooned; the structure shuddered & shook; and all our paintings rattled precariously on their stands. By the end of the day, with thunder and lightening looming and the wind gusting continually into our stall, we decided to pack up all 65 paintings again, and bring them home for safety-sake! I had taken photos of the arrangement of the paintings on Friday, which made it a simpler process, early on Saturday morning to remember the position of each one, as we re-hung them again. Saturday morning was a beautiful sunny and mostly windless day, so we could confidently pack out all the cards and calendars into the card-stands and lay out the folders of unframed paintings on the big table; along with the smaller items like gift tags and bookmarks.

The east end of the tent and the revolving card stand.

Saturday also brought many more people enjoying a day out at the festival, and lots of familiar friends & visitors to our stall. With the state of the economy we did not expect to sell much, but felt that the exposure was important. Many of the local folk had never seen our painting display before.

west end of the stall

Ultimately, we were really fortunate to sell a couple of paintings along with several cards and calendars.

A small vase of the first fragrant roses of my spring garden to brighten the display.

How wonderful it was to see so many old friends that we have known for years, and to meet many new visitors to the festival who had come from neighbouring districts. Their warm-hearted friendliness & enthusiasm certainly has made it worthwhile in the end. I am even hopeful that there may be a few orders to follow, and those are always a welcome bonus!!

The card stands.

John in the stall

Road through the Mopanes

Barbara — Tue, 04 Oct 2011 09:57:54 +0000

In the recent post entitled, ‘Karoo Interlude’, I mentioned that in my youth, on travels with my family we covered most of Rhodesia; (Zimbabwe) while researching the trees species that were my father’s particular interest. We often travelled in the area between Bulawayo and the Victoria Falls where large forests of Mopane, Teak and Mahogany grew abundantly, as well as many other beautiful trees. This watercolour is reminiscent of those wonderful forests and painting it was a deeply nostalgic process for me !

Road through the Mopanes. Watercolour. 700 x 500 mm

Hofmeyr Road Donkey Cart.

Barbara — Sun, 25 Sep 2011 07:26:39 +0000

Hofmeyr Road Donley Cart. 500 x 700 mm watercolour.

Bees on the Quince flowers.

Barbara — Tue, 20 Sep 2011 15:20:23 +0000

Bees on the Quince Flowers. Gouache & watercolour on pastel paper.